Desire Moheb Zandi: A WAY TO STAY

Italiano (Italian)

*Featured photo: Desire Moheb-Zandi TEARING APART, 2021 Wool, cotton, rope, plastic, velvet, metal, silk, nylon 175 x 224 x 84 cm

Wednesday 27th October – Saturday 4th December 2021
FOLD GALLERY – 158 New Cavendish St, London W1W 6YW | | +44 (0)20 7436 8050
Opening times: Wednesday – Saturday 12 – 6pm or by appointment

Desire Moheb-Zandi, ONLY WAY OUT IS THROUGH. 2021. Paper, rope, velvet, acrylic, spray paint, wire, nylon, tubing, linen, stuffing, aluminium bar, oil stick, 166 x 200 x 11 cm

FOLD is pleased to present A Way To Stay a solo show by Desire Moheb-Zandi, her first with the gallery.

Desire Moheb-Zandi integrates personal history and cultural identity in her large-scale, sculptural tapestries. Drawing from memories of her childhood in Turkey, where she passed hours watching her grandmother weave, Moheb- Zandi meshes traditional techniques with modern motifs and media. In addition to including rubber tubing, soft sculpture and synthetic netting in her work, Moheb-Zandi fashions the loom as a sort of analogue computer, where the code is her pattern, and her manipulation of the pattern creates optical resonance and movement. The diversity of material and fabrication techniques that Moheb-Zandi uses function on formal and conceptual levels; her work is visually dynamic and elegant, and it serves as a record of the artist’s life and journeys.

Desire Moheb-Zandi, DEW DROPS, 2021. Rope, linen, acrylic, wood, silk, nylon, filling, cotton. 28 x 23.5 x 6 cm

“Weaving is a form of digital technology. It operates on a binary code just like a computer, using warp and weft threads instead of ones and zeros. Like a digital image, a textile’s pattern or pictorial design comprises a matrix of encoded data written specifically for computation by a loom—a type of computer processor. A textile’s physical form and visual elements are the result of a certain combination of threads moving over and under each other at right angles, sometimes intersecting along multiple planes in space.” (Dr.Sarah Mills – Painted Threads)

Desire Moheb-Zandi, UNRAVELING, 2021. Wool, wire, velvet, cotton, tubing 23 x 19 x 9 cm

Moheb-Zandi approaches the loom as a starting point, using traditional hand-weaving patterns to begin writing code for making textile and creating rhythmic patterns. Although this process gravitates to the “feel” of computing and the look of its output (with shifted proportions and remixed patterns) the finished objects often have the aesthetic of algorithmic, hypnotic landscapes.

In some of her work Moheb-Zandi uses spray-paint on the surface of the textile, creating a new layer of pattern that responds to the underlying weaving. Here the woven textile almost becomes a support for spray paintings, exploring the relationship between the underlying textile and the painted surface. In other work there are objects woven into and across the exterior, like organic takeovers of the digital landscapes, where bulbous forms and protrusions rest on and break up the image and create a sculptural surface.

Desire Moheb-Zandi, WALKING THROUGH FIRE, 2021. Silk, PVC, aluminium bar, plastic, wool, neoprene, paper, spray paint, stuffing, nylon, found pebbles, wire, cotton, oil stick, acrylic paint, texture gel. 281 x 220 x 170 cm

Moheb-Zandi sees her work as a synergistic space for experimentation and discovery, inviting the viewer to consider the interconnectivity of weaving, painting and sculpture while challenging traditional hierarchies of fine art and craft; to view the binary process of weaving in a new, non-binary way.

Desire Moheb-Zandi, THE MOON & THE MELODIES, 2021. Linen, tubing, filling, wool, silk, paper, neoprene, wire, rope, nylon, velvet, cotton. 29 x 31 x 7 cm

Desire Moheb-Zandi, b.1990 Berlin, Germany. Parsons School of Design New York, NY (2013). Exhibitions include: The Sowers curated by Anissa Touati and Nathalie Guiot, Fondation Thalie, Brussels (current Sept 8-Nov 2021), ‘Au fil du temps’, curated by Parcours Saint- Germain, Phillips Paris, (2021), ‘Fields of Reflections’, solo, Superzoom, Paris, (2021), ‘Faraway Nearer’, solo, The Newsstand Project, Los Angeles, CA (2019), A common Thread: curated by Ashanti McGee, Barrick Museum of Art, Las Vegas, Nevada, USA (2021). Residencies include: Poush Manifesto, Paris, France (September 2020-ongoing), SUPERZOOM residency, Ardèche, France (April-May 2021). CobxPlop Residency, London, UK (August-September 2021).

Barbara Pavan

English version Sono nata a Monza nel 1969 ma cresciuta in provincia di Biella, terra di filati e tessuti. Mi sono occupata lungamente di arte contemporanea, dopo aver trasformato una passione in una professione. Ho curato mostre, progetti espositivi, manifestazioni culturali, cataloghi e blog tematici, collaborando con associazioni, gallerie, istituzioni pubbliche e private. Da qualche anno la mia attenzione è rivolta prevalentemente verso l’arte tessile e la fiber art, linguaggi contemporanei che assecondano un antico e mai sopito interesse per i tappeti ed i tessuti antichi. Su ARTEMORBIDA voglio raccontare la fiber art italiana, con interviste alle artiste ed agli artisti e recensioni degli eventi e delle mostre legate all’arte tessile sul territorio nazionale.