Spotlight on

JOANA VASCONCELOS

Italiano (Italian)

Joana Vasconcelos was born in 1971. She lives and works in Lisbon. She has exhibited regularly since the mid-1990s. Her work became known internationally after her participation in the 51st Venice Biennale in 2005, with the work A Noiva [The Bride]“an imposing chandelier with a candid cascade of glistening pendants. Appearing at first to be made of glass or crystal, the thousands of pendants are in fact immaculate feminine tampons” (2001-05).

She was the first woman and the youngest artist to exhibit at the Palace of Versailles, in 2012. Recent highlights of her career include a solo exhibition at Guggenheim Museum Bilbao, the project Trafaria Praia, for the Pavilion of Portugal at the 55th Venice Biennale; the participation in the group exhibition The World Belongs to You at the Palazzo Grassi/François Pinault Foundation, Venice (2011); and her first retrospective, held at the Museu Coleção Berardo, Lisbon (2010).

Source: http://www.joanavasconcelos.com/index.aspx

Photos has been taken from the artist’s website and are covered by copyright  

“Finisterra-detail”, 2018, Handmade woollen crochet, ornaments, polyester, on canvas, gilded relief frame, plywood, iron, 340 x 550 x 80 cm, Collection of the artist, copyright Joana Vasconcelos

“Brancura”, 2019, Handmade woollen crochet, ornaments, polyester, on canvas, gilded relief frame, plywood, 116 x 150 x 70 cm, copyright Joana Vasconcelos

“Brancura – detail”, 2019, Handmade woollen crochet, ornaments, polyester, on canvas, gilded relief frame, plywood, 116 x 150 x 70 cm, copyright Joana Vasconcelos

“Egeria”, 2018, Handmade woollen crochet, fabrics, ornaments, LED, polyester, inflatable, fans, microcontrollers, power supply unit, steel cables, 3000 x 3630 x 4496 cm, Collection of the artist. Copyright Joana Vasconcelos

“Valkyrie Marina Rinaldi”, 2014, Handmade woollen crochet, fabrics, ornaments, inflatable, fans, power supply unit, steel cables, 405 x 480 x 1244 cm, Collection of the artist, Work produced with the support of Marina Rinaldi, copyright Joana Vasconcelos

Big Booby #3”, 2016, Handmade woollen crochet, industrial knitted fabric, polyester, stainless steel, 256 x 256 x 70 cm, Collection of the artist, copyright Joana Vasconcelos

Big Booby #3 – detail”, 2016, Handmade woollen crochet, industrial knitted fabric, polyester, stainless steel, 256 x 256 x 70 cm, Collection of the artist, copyright Joana Vasconcelos

Pantelmina #3”,2004, Handmade woollen knitting, industrial knitted fabric, ratchet strap clamps, polyester, 175 x 600 x 70 cm, Collection of the artist, copyright Joana Vasconcelos

“Side by Side”, 2013,Ceramic urinals, handmade cotton crochet, 40 x 58 x 30 cm, Courtesy Phoenix Capital Investments, Los Angeles, copyright Joana Vasconcelos

“Side by Side -detail”, 2013,Ceramic urinals, handmade cotton crochet, 40 x 58 x 30 cm, Courtesy Phoenix Capital Investments, Los Angeles, copyright Joana Vasconcelos

“Vitrail”,2012, Wool, cotton, 346 x 367 cm, Courtesy Haunch of Venison/Christie’s, London. Work produced in collaboration with Manufactura de Tapeçarias de Portalegre, copyright Joana Vasconcelos

Blup”, 2002, Industrial tiles, handmade woollen knitting, industrial knitted fabric, MDF, 210 x 135 x 110 cm, Fleiss Collection Paris, copyright Joana Vasconcelos

“A Noiva [The Bride]”,2001-2005, OB tampons, stainless steel, cotton thread, steel cables, 600 x Ø 300 cm, António Cachola Collection, Elvas, copyright Joana Vasconcelos

“A Noiva – detail [The Bride]”,2001-2005, OB tampons, stainless steel, cotton thread, steel cables, 600 x Ø 300 cm, António Cachola Collection, Elvas, copyright Joana Vasconcelos

Maria Rosaria Roseo

English version Dopo una laurea in giurisprudenza e un’esperienza come coautrice di testi giuridici, ho scelto di dedicarmi all’attività di famiglia, che mi ha permesso di conciliare gli impegni lavorativi con quelli familiari di mamma. Nel 2013, per caso, ho conosciuto il quilting frequentando un corso. La passione per l’arte, soprattutto l’arte contemporanea, mi ha avvicinato sempre di più al settore dell’arte tessile che negli anni è diventata una vera e propria passione. Oggi dedico con entusiasmo parte del mio tempo al progetto di Emanuela D’Amico: ArteMorbida, grazie al quale, posso unire il piacere della scrittura al desiderio di contribuire, insieme a preziose collaborazioni, alla diffusione della conoscenza delle arti tessili e di raccontarne passato e presente attraverso gli occhi di alcuni dei più noti artisti tessili del panorama italiano e internazionale.