Ruth Asawa: Citizen of the Universe

Italiano (Italian)

*Featured photo: Imogen Cunningham, Ruth Asawa Working on Her Wire Sculpture 3, 1956. © 2022 Imogen Cunningham Trust. Artwork © 2021 Ruth Asawa Lanier, Inc. / ARS, NY and DACS, London. Courtesy David Zwirner

Modern Art Oxford
28 May – 21 Aug 2022

Oxford, UK: Citizen of the Universe is the first public solo exhibition in Europe of the work of Ruth Asawa (b. 1926, Norwalk, CA – d. 2013, San Francisco, CA). Focusing on a dynamic formative period in her life from 1945 to 1980, the exhibition gives audiences a unique experience of the artist and her work, exploring her legacy as an abstract sculptor crucial to modernism in the United States. The exhibition features her signature hanging sculptures in looped- and tied-wire and celebrates her holistic integration of art, education and community engagement, through which she called for an inclusive and revolutionary vision for art’s role in society.

mogen Cunningham, Ruth Asawa’s Wire Sculptures and Their Shadows, 1956. © 2022 Imogen Cunningham Trust. Artwork © 2021 Ruth Asawa Lanier, Inc. / ARS, NY and DACS, London. Courtesy David Zwirner

Running parallel with the creation of her acclaimed sculptures Asawa was committed to arts education. This aspect of her practice will be explored in the exhibition through a selection of her drawing and printmaking, as well as archival materials displaying her work as an arts activist for professional artists working in state schools. Key projects include her Milk Carton Sculptures which encourage children to playfully interrogate found materials to deepen their understanding of abstract mathematical thinking.

Imogen Cunningham, Ruth Asawa in her Dining Room with Tied-Wire Sculpture, 1963. © 2022 Imogen Cunningham Trust. Artwork © 2021 Ruth Asawa Lanier, Inc. / ARS, NY and DACS, London. Courtesy David Zwirner

Asawa era profondamente dedita all’educazione artistica, al suo ruolo nel trasformare e potenziare adulti e bambini, il suo scopo era quello di dare ai bambini l’opportunità di lavorare con artisti professionisti.

Asawa was ardently committed to art education’s role in transforming and empowering both adults and children, and was dedicated to giving children the opportunity to work directly with professional artists.

Her lifelong philosophy of the “integration of creative labour within daily life” was nurtured during her studies in the progressive educational environment of Black Mountain College from 1946-49. Here she joined the courses of artist Josef Albers and choreographer Merce Cunningham, and formed a lifelong friendship with visionary inventor and architect R. Buckminster Fuller. As a result of her experience Asawa wrote in 1948 that she was “a citizen of the universe…I no longer identify myself as a Japanese or an American”.

Ruth Asawa, Untitled (S.040, Hanging Eight-and-a-Half Open Hyperbolic Shapes that Penetrate Each Other), c. 1956. Private collection. Photograph by Kerry McFate. Artwork © 2021 Ruth Asawa Lanier, Inc. / ARS, NY and DACS, London. Courtesy David Zwirner

Her understanding that humanity and identity transcend race and class divisions enabled Asawa to overcome the discrimination that had shaped her early life. As a first generation Japanese American growing up on the eve of World War II, Asawa experienced extreme racial prejudice. Following the outbreak of the war, the United States government forced 120,000 people of Japanese ancestry, including Asawa and her family, to live in internment camps. Despite the extreme conditions, for Asawa, the internment was the first step on a journey to a world of art that profoundly changed who she was and what she thought was possible in life, spending most of her free time drawing and painting, learning from an animator from Walt Disney Studios who was among the internees.

Citizen of the Universe celebrates Asawa’s intricate suspended wire sculptures, explores her home life through photographic material, and displays drawings and archival material of her progressive education programmes and her time at Black Mountain College. For Asawa, living a full life meant being socially engaged, having a family, creating art with them, and fully participating in the life of her local community. Ruth Asawa chose to identify as a citizen of the universe, developing a sense of higher purpose grounded in making daily life better through art. Foregrounding these ideas, this exhibition is an affirmation of her timely relevance as a champion for the vital role creativity plays in daily life.

Ruth Asawa, Cineraria (P.018-I), 1979. Printed by Valerie Jacobs. Private collection. Photograph by Kerry McFate. Artwork © 2021 Ruth Asawa Lanier, Inc. / ARS, NY and DACS, London. Courtesy David Zwirner

About Ruth Asawa: Citizen of the Universe

The exhibition is curated by Emma Ridgway, Head of Programme, Chief Curator at Modern Art Oxford, and Vibece Salthe, Senior Curator at Stavanger Art Museum, and is organised in partnership with Stavanger Art Museum, Norway where it will be on display from 1 October 2022 – 22 January 2023. Ruth Asawa: Citizen of the Universe is made possible through support from the Terra Foundation for American Art and as a result of the Government Indemnity Scheme. Modern Art Oxford would like to thank HM Government for providing Government Indemnity and the Department for Digital, Culture, Media and Sport and Arts Council England for arranging the indemnity.

Elena Redaelli

English version Dal 2010 mi occupo di arte contemporanea realizzando progetti fra scultura tessile, arte ambientale e social practices. Negli ultimi anni il mio lavoro mi ha portato a vivere viaggiando con progetti e residenze artistiche nel mondo. Esploro processi di generazione e trasformazione della materia, applicando diversi livelli di controllo e indagando i limiti tra autorialità e partecipazione.Talvolta il materiale prende il sopravvento, altre volte sono i partecipanti di un progetto o l’ambiente stesso a farlo, risultando in un dinamico e continuo scambio. Il fare manuale è per me un processo d’interrogazione dell’ambiente e uno strumento per entrare in contatto con nuove persone e culture. Nei miei progetti applico una commistione di tecniche differenti prese dalla scultura, dall’artigianato, dal disegno e dall’ estetica relazionale. Ricerco e utilizzo tecniche antiche: tessitura a telaio, arazzo, crochet, feltro, ricamo, annodature e carta fatta a mano. Nelle mie installazioni, che si sviluppano su larga scala, unisco metodi di lavorazione lenta a nuove tecnologie. Tutto ciò che riguarda il tessile è sempre stato estremamente affascinante per me. Mi piace imparare e condividere idee e conoscenze sul vasto mondo delle fibre ed e’ quello che ho fatto durante i miei viaggi di ricerca tra Europa, Asia, USA e Africa.