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ARTEMORBIDA

TEXTILE ARTS MAGAZINE

Events

Animal Textile

Redazione

[vc_row][vc_column][vc_column_text]Exploration of the animal theme through a selection of antique and modern tapestries from TAMAT, compared with contemporary works.
TEMPORARY EXHIBITION
25 March 2023 to 10 September 2023

“Then my trembling fingers grasp each thread, and in the golden meshes of this fine net, harmonious hunter, I trap my dreams.”
José-Maria de Heredia, The Trophies: ‘La Siesta’, 1905, p.108

The place of the animal in art is preponderant, protean, plastic and fluid; these living beings have not always been distinguished by specialists, who have often preferred to analyse men and women in the foreground of works. Nevertheless, some were already the main subjects, as shown by the animals depicted on the walls of cave paintings, the tapestry of The Lady with the Unicorn commissioned by Antoine de Viste (1484-1538) or Dürer’s animal portraits in the 16th century.

Why does the animal seem to burst onto the art scene today?

Like a reverie, TAMAT proposes here a space augmented by presences, punctuated by the poems of Parnassian José-Maria de Heredia, an interweaving of forces, potentials and stories that these living creatures bring with them. As in a cadavre-exquis, one form calls the other, reducing the distances between the aquatic and the aerial worlds, between the desire for realism and phantasmagoria, finally offering the possibility of new cosmograms.

Text by Marion Duquerroy, art historian.[/vc_column_text][vc_single_image image=”85251″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][vc_column_text]ARTISTS

ANDRIN Caroline – CHAMARET Lydie – COENRAETS Florence – COLLIN André – CRUNELLE José – DELTOUR Louis – DIZIER Christine – DUBRUNFAUT Edmond – FORCES MURALES – FORTUNÉ Maïder – FRANCKEN Frans – FRANÇOIS Michel – GOBE Jérémy – GOSSYE Dolores – KRAKOWSKI Julie – PAPARELLA Juan – PROGIN Jérôme – RANSY Jean – SALAUD Julien – VAN KESSEL Jean – VANMECHELEN Koen – VAUBOURG Valérie – WYSOCKI Elodie Dolores GOSSYE. La Luz, 2014. Collection of the artist. Bartélémy Decobecq

Exhibition curator: Aurélie Champion

TAMAT would like to thank the Museum of Fine Arts in Tournai, BPS22, the Royal Institute of Natural Sciences in Brussels and the Puppet House in Tournai for the loan of some works.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”85257″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”85248″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

Eventi

Animal Textile

Redazione

[vc_row][vc_column][vc_column_text]Esplorazione del tema animale attraverso una selezione di arazzi antichi e moderni di TAMAT, confrontati con opere contemporanee.
MOSTRA TEMPORANEA
Dal 25 marzo 2023 al 10 settembre 2023

“Allora le mie dita tremanti afferrano ogni filo, e nelle maglie dorate di questa rete sottile, cacciatore armonioso, intrappolo i miei sogni”.
José-Maria de Heredia, I Trofei: “La Siesta”, 1905, p.108

Il posto dell’animale nell’arte è preponderante, proteiforme, plastico e fluido; questi esseri viventi non sono sempre stati distinti dagli specialisti, che spesso hanno preferito analizzare gli uomini e le donne in primo piano nelle opere. Nonostante ciò, alcuni erano già i soggetti principali, come dimostrano gli animali rappresentati sulle pareti delle pitture rupestri, l’arazzo de La dama con l’unicorno commissionato da Antoine de Viste (1484-1538) o i ritratti di animali di Dürer nel XVI secolo.

Perché l’animale sembra irrompere oggi sulla scena artistica?

Come una fantasticheria, TAMAT propone qui uno spazio incrementato da presenze, punteggiato dalle poesie del parnassiano José-Maria de Heredia, un intreccio di forze, potenzialità e storie che queste creature viventi portano con sé. Come in un cadavre-exquis, una forma chiama l’altra, riducendo le distanze tra il mondo acquatico e quello aereo, tra il desiderio di realismo e la fantasmagoria, per offrire infine la possibilità di nuovi cosmogrammi.

Testo di Marion Duquerroy, storica dell’arte.[/vc_column_text][vc_single_image image=”85250″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][vc_column_text]ARTISTI

ANDRIN Caroline – CHAMARET Lydie – COENRAETS Florence – COLLIN André – CRUNELLE José – DELTOUR Louis – DIZIER Christine – DUBRUNFAUT Edmond – FORCES MURALES – FORTUNÉ Maïder – FRANCKEN Frans – FRANÇOIS Michel – GOBE Jérémy – GOSSYE Dolores – KRAKOWSKI Julie – PAPARELLA Juan – PROGIN Jérôme – RANSY Jean – SALAUD Julien – VAN KESSEL Jean – VANMECHELEN Koen – VAUBOURG Valérie – WYSOCKI Elodie Dolores GOSSYE. La Luz, 2014. Collezione dell’artista. Bartélémy Decobecq

Curatore della mostra: Aurélie Champion

TAMAT ringrazia il Museo di Belle Arti di Tournai, il BPS22, l’Istituto Reale di Scienze Naturali di Bruxelles e la Casa delle Marionette di Tournai per il prestito di alcune opere.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”85256″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”85247″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]